The Constant Gardener | A

director: Fernando Mereilles
starring: Ralph Fiennes, Rachel Weisz, Pete Postlethwaite

Constant GardenerA magnificent film by City of God director Fernando Mereilles, The Constant Gardener tells the story of a husband and wife separated by brutal tragedy but eventually reunited through the husband’s discovery of not only a far-reaching conspiracy to commit crimes against humanity, but also the life’s work of his wife–and, therein, he finds a connection to her that transcends any mortal coil. Look at me, I sound like a film critic.

If you want to try and classify what kind of genre The Constant Gardener fits into, you’ll have a tough time, though my guess is most will call it a thriller wrapped in the love story of Fiennes’ and Weisz’ characters, the former a British diplomat, the latter a political activist investigating the involvement of global pharmaceutical companies in African drug trials. It’s difficult to describe the setup to the film, as it involves the biggest plot point of all, so I’ll avoid that, but what I will say is that the film centers on Fiennes’ character picking up his wife’s investigation into the aforementioned phamaceutical companies, and their relation with the government he works for. Intercut along the way are flashbacks to moments with his wife, and they are just as much a part of his “investigation” as the work he’s doing in Africa trying to track down leads and discover just what she was working on. Fiennes’ character has a prediliction for gardening–constantly, you might say (o cheerio, good chap, that was spot-on!), and it’s the very apparent metaphor for his investigation. What I find particularly interesting about his character, Justin Quayle, is that Fiennes isn’t playing the rugged, heroic everyman out to save the world character so often found in suspense thrillers. He’s no less driven, but he carries himself with a quiet intensity that can be just as powerful as an over-the-top superhero-type portrayal (the image below notwithstanding).

Constant Running

Gardener’s visuals range from the stark whites and greys of Europe to the rich palatte inherent in Africa, and taking it all in is just as important as delving into the plot itself, which has the writing of novelist John le Carré to thank for its often-dense exposition (though it’s by no means boring). I think many viewers will get turned off to that, and find the entire movie somewhat tedious to get through. But, I think that’s a matter of taste. It has elements of many different genres, and it’s probably chiefly a mystery-action thriller, but you’re not going to find explosions, gun battles, or car chases (well, there is one chase) here; it’s about the quest Fiennes’ embarks upon, fueled by the rediscovery of the love he has for his wife. And I don’t mean it to sound like a chick flick (but it can certainly work on that level). But listen, this movie won’t be for everyone. It’s not a popcorn flick, it’s not an event film, it’s not meant to dazzle your eyes and ears. If you appreciate the art of film itself, I think you’ll love The Constant Gardener.

Hostage | B-

director: Florent Emilio Siri
starring: Bruce Willis, Kevin Pollak, Ben Foster

Hostage is never quite what it appears to be on the surface–not quite the standard hostage movie its advertised as being. Based on external appearances, what seems to be in another long line of cliched hostage dramas turns out to be a pretty engrossing and exciting flick, worthy of some kudos solely for its relative originality. Bruce Willis stars as a disgraced hostage negotiator trying to save two families in Hostage. It will be difficult to speak in great detail about the plot without ruining some of the story points, so I’ll avoid it, but suffice it to say that there are some pleasant surprises (plot-wise) along the way that make Hostage more than a run-of-the-mill hostage thriller.

Right from the creative opening credits does the flick catches your attention, setting up the opening sequence quite nicely as we first meet hostage negotiator-cum-hippie Willis, combing his substantial beard. That’s not to the say the sequence is low-key–it’s anything but and the tension is full-force. Also apparent is the director’s Florent Emilio Siri attraction to sweeping crane and helicopter shots which, along with the slightly overdone music, can make for some unnecessarily dramatic camera shots. Slow motion seems to be another favorite of his, and although used sparingly, it doesn’t work when it is used.

Nevertheless, the movie’s strengths outweigh its faults, and this is most apparent in its characters and plot. It’s based on a best-seller, so the screenwriter obviously had some good material to work with, and it shows. For the most part, none of the characters act as the cliched stereotypes you’d expect to see in this genre. Again, I can’t get into too much without revealing major plot points here, but it’s refreshing to see characters that don’t fit the mold you’ve seen in countless action thrillers of the past. And the plot itself takes you places you never thought it would. As I said, the flick isn’t as conventional a movie as you may think, based on its trailers and commercials. Hostage is a pleasant surprise and worth a watch.

The Truth

SyringeA great story on Barry Bonds’ history of steroid use broke today on SI.com. You can read it here. What’s amazing is not just what he did, but how indirectly complicit the Giants’ organization and Major League Baseball were in all this. It was painfully obvious what he and McGwire were doing, and baseball did nothing about it. Regardless of the larger implications of all this, Bonds’ attitude has been laughable in the face of all the accusations. There are likely reams upon reams of proof of his actions, but I don’t have to look any farther than this picture of him in 1998 to see the painfully obvious difference in physique.

Some high(low)lights:

“They’re just letting him do it because he’s a white boy,” Bonds said of McGwire and his chase of Maris’s record. The pursuit by Sosa, a Latin player from the Dominican Republic, was entertaining but doomed, Bonds declared. As a matter of policy, “they’ll never let him win,” he said.

Anderson didn’t like to talk about another downside. Anyone who worked for Bonds had to take a great deal of abuse. If Bonds told you to do something, you had to drop everything and do it. If you were slow to comply or if you tried to explain why it wasn’t such a good idea, Bonds would get right up in your face, snarling, calling you a “punk bitch,” repeating what he wanted and saying, “Did I f—— stutter?” You had to suck it up and take the abuse and the humiliation — everyone did.

After Bonds returned from the offseason having gained 15 pounds of pure muscle:

Sportswriters didn’t press the question. Most attributed the changes in Bonds’s body to a heavy workout regimen, as though a 34-year-old man could gain 15 pounds of muscle in 100 days without drugs. The Giants, from owner Peter Magowan to manager Dusty Baker, had no interest in learning whether Bonds was using steroids, either. Although it was illegal to use the drugs without a prescription, baseball had never banned steroids. Besides, by pursuing the issue, the Giants ran the risk of poisoning their relationship with their touchy superstar — or, worse, of precipitating a drug scandal the year before the opening of their new ballpark, where Bonds was supposed to be the main gate attraction.

Bonds had never seen the ropes on the field before. “What the f— is this?” he demanded of the security guards. They told him the ropes were for McGwire. Furious, Bonds began knocking the ropes down. “Not in my house!” he said.

The Giants’ training staff wanted nothing to do with Bonds’s three trainers and urged management to ban them from the clubhouse, according to a source familiar with the conversation. The Giants had unofficial background checks done on Bonds’s trainers and learned that World Gym was known as a place to score steroids and that Anderson himself was rumored to be a dealer. But the club decided it didn’t want to alienate Bonds on this issue, either. The trainers stayed.

Bonds’s physical changes during this time were consistent with steroid use. His hair fell out, and he began shaving his head. Perhaps it was her imagination, but the head itself seemed to be getting larger, and the plates of his skull bones stood out in bold relief. Bonds’s back broke out in acne, and he would stand in front of the bathroom mirror and say, “Oh, my God, I don’t know where this is coming from.” Bonds also suffered sexual dysfunction, another common side effect of steroid use.

Weak or not, players still feared getting caught. Bonds despised the thought of being exposed as a drug cheat. He wanted no part of the humiliation he might endure if his status as the game’s premier player were called into question. But Anderson guaranteed that Bonds was protected. “The whole thing is, everything I’ve been doing, it’s all undetectable,” he would say during the spring of 2003, when he described Bonds’s drug use to an acquaintance who was secretly wearing a wire. “The stuff I have, we created it. You can’t buy it anywhere else, you can’t get it anywhere else. You can take [it] the day of [a drug test], pee, and it comes up clear.

“See, like Marion Jones and them — it’s the same stuff they went to the Olympics with and they test them every f—— week. So that’s why I know it works, so that’s why I know we’re not in trouble. So that’s cool.”

Conte
BALCO head Victor Conte

Bell was frightened. He left, and she went back to Arizona two days later without seeing him. They saw each other once more, when the Giants were in Phoenix to play the Diamondbacks at the end of May, and on his way out of town, he called her from the airport.

“You have to do something for me,” Bonds said. “You need to disappear.”

“What do you mean?” Bell said. “For how long?”

“Did I f—– stutter?” Bonds replied. “Maybe forever.”

Bell became angry. “Are you going to make your girlfriend in New York disappear too?” she asked.

“At the end of [the] 2002, 2003 season, when I was going through [a bad period,] my dad died of cancer…. I was fatigued, just needed recovery you know, and this guy says, ‘Try this cream, try this cream,'” he said. “And Greg came to the ballpark and said, you know, ‘This will help you recover.’ And he rubbed some cream on my arm … gave me some flaxseed oil, man. It’s like, ‘Whatever, dude.'”

This is all from a book due out, Game of Shadows, about the whole baseball/steroids mess. I think this is probably just the start of the tarnishing of a good many professional athlete careers. Most importantly, it will get that preening a**hole Barry Bonds enough negative media attention to drive him nuts. I’m sure he’ll make the same defiant dismissal of the charges against him, painting himself as the poor, misunderstood good guy, kept down by the racist media. Whatever, Barry.

World Wide Surprise

WWS
(right-click, “save target/link as…”)

I’m guessing they did this early because the song had already leaked on Friday. And the band is apparently in the process of releasing its ENTIRE catalogue of live shows on mp3. I’m sure there’s much more news to come this week. Yee-ha!

UPDATE 3/7 1:46am: Speaking of more news…

9 May Toronto Ontario Air Canada Centre
10 May Toronto Ontario Air Canada Centre
12 May Albany New York Pepsi Arena
13 May Hartford Connecticut New England Dodge Music Arena
16 May Chicago Illinois United Center
19 May Grand Rapids Michigan Van Andel Arena
20 May Cleveland Ohio Quicken Loans Arena
22 May Detroit Michigan Palace of Auburn Hills
24 May Boston Massachusetts TD Banknorth Garden
27 May Philadelphia Pennsylvania Tweeter Waterfront
30 May Washington DC MCI Center
1 Jun E. Rutherford New Jersey Continental Airlines Arena
3 Jun E. Rutherford New Jersey Continental Airlines Arena

78th Annual Self-Congratulation Extravaganza

OscarIt’s early March, and you know what that means: time for Hollywood’s biggest night; chockful of back-slapping, glad-handing, and insincere acceptance speeches. The 78th Academy Awards took place in Hollywood Sunday night, airing to its global audience of “over 1 billion people.” I think I’d take issue with that number if I really cared, but that’s not why you stopped by. The telecast on ABC last night was among the most boring in my recent memory; thank God for DVR. Being able to fast forward through interminable speeches by secondary key grips on Bosnian films about old, bearded men is a blessing. The usual bore factor was only heightened by this year’s weak crop of films, making the telecast something less than “appointment television.” Of the five films nominated for Best Picture, I’ve seen just one of them (Munich, which was great). They all certainly look interesting, though not in the way nominees of years past have been (Saving Private Ryan, Titanic, Braveheart, The Shawshank Redemption, Pulp Fiction, L.A. Confidential, etc.)

Continue reading “78th Annual Self-Congratulation Extravaganza”

They've got to know there's another another another another another way

Thank you 107.7 The End. You can download the “official” copy at www.pearljam.com on March 8th, 6am EST.

World Wide Suicide

And I felt the earth on a Monday
it moved beneath my feet
in the form of a morning paper
laid out for me to see

saw his face in a corner picture
I recognized the name
could not stop staring at the face
I’d never see again

It’s a shame to awake in a world of pain
what does it mean when oil has taken over?
it’s the same everyday, I heard Monday
what can be saved and who will be left to hold her

The whole world will obey
It’s a world wide suicide
The whole world, we’re no more
It’s a world wide suicide

the medal’s on a wooden mantle
next to a handsome face
that the President took for granted
writing checks that others pay

and in all the madness
thought becomes numb and naive
so much to talk about and
nothing for’us to say

It’s the same every day, they want brave
yeah they want brave while the devil’s on their shoulder
laying claim to the take of soldier’s fate
well i’m not quitting
the truth’s already out there

The whole world, we’re no one
It’s a world wide suicide
The whole world, we’re no more
It’s a world wide suicide

look in the eyes of the fallen,
you’ve got to know there’s another ..another..another..another…another …WAY!…

It’s a shame to awake in a world of pain
what does it mean when the war has taken over?
it’s the same everyday, i’m brave, i’m brave
tell you they’re free, while the devil’s on his shoulder

The whole world, we’re no more
It’s a world wide suicide
The whole world, we’re no more
It’s a world wide suicide
The whole world, we’re no more
It’s a world wide suicide
The whole world, we’re no more
It’s a world wide suicide!…

Those lyrics are probably about 85% correct.

May 2ndMay 2nd

Tracklisting, also courtesy of pearljam.com:

Life Wasted
World Wide Suicide
Comatose (formerly Crapshoot)
Severed Hand
Marker In The Sand
Parachutes
Unemployable
Big Wave
Gone
Wasted Reprise
Army Reserve
Come Back
Inside Job

A demo version of “Gone” is on the 2005 Christmas Single, which you can download here.

And an audience recording of “Comatose” from Easy Street Records in Seattle here.

Class

#16One of the classiest individuals ever to wear an NHL jersey, let alone a Buffalo Sabres jersey, had his #16 retired at an HSBC Arena ceremony prior to last night’s Sabres-Leafs game. Forward Pat LaFontaine played in Buffalo from 1991-1997, not exactly a decade-spanner that you’d think a player would have to have to get his number retired. But in his time here, no one carried himself with more class, respect, and integrity than Pat did. Nevermind his unbelievable ability on the ice; it goes without saying that he is one of the greatest players in NHL history. His induction into the NHL Hall of Fame a few years ago is proof enough of that.

What really stands out about LaFontaine is the respect he had for his community. He was extremely active in the Buffalo community, founding the “Companions in Courage” organization, helping sick kids with their treatments, and perhaps more importantly, helping them maintain a postive attitude. Many of the kids affected were invited onto the ice last night, all wearing #16 jerseys. Pat gave a–you guessed it–classy speech, thanking everyone from former Sabres owners Seymour and Northrup Knox to the equipment manager who sharpened his skates. A great night for the Buffalo Sabres and the community. That arena is a better place for having that banner hanging inside.

#16 Banner

* * *

LeafsSabresI should also mention the game itself. The Sabres skated the Leafs right out of the building, winning 6-2, featuring a hat trick by #8 Derek Roy. Toronto took countless dumb penalties, looked tired, and resorted to cheap shots as the game appeared out of reach. They’re going nowhere fast, and I’d imagine coach Pat Quinn could be gone soon as well, if the team doesn’t get their act together. I’m sure all the columnists in Toronto are on fire over the team’s play. Rack up another two points for Buffalo; Ottawa is squarely in the Sabres’ sights for the Northeast Division lead.